Holy Crows |
for high voice and chamber ensemble |
2004 |
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Listen (7') |
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Instrumentation |
Performers: |
Tenor or soprano |
Julie Cross, soprano |
Flute |
Cathie Apple, flute |
Clarinet in Eb |
Lisa Raschiatore, Eb clarinet |
Soprano Saxophone |
Bobby Streng, soprano saxophone |
Violin* |
Austin Wulliman, violin |
Marimba |
Hayes Bunch, marimba |
Piano* |
Thomas Bandy, piano |
with Marcin Bela conducting |
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*an alternate version exists |
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with viola and harp |
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Program Note: |
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When Cathie Apple asked me to set some of her uncle's poetry, she gave me quite a stack from which to choose. What drew me to setting this particular poem was its simultaneous simplicity and complexity - a balance that exemplifies the finesse in Duane Taylor's writing. He creates an expansive atmosphere while focusing on small, seemingly ordinary details. There is a splendid trajectory of shifting perspective and tone, all the while dealing with deeply meaningful subject matter - being a part of something much larger than oneself - and reminding us of the basic goodness of human beings. Even in the darkest of times there is hope!
Holy Crows was commissioned by Cathie Apple for her final dissertation recital and sponsored by a grant from the Rackham Gradute School. |
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Holy Crows - for Michael's forty-ninth Christmas |
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| Nine days from Christmas | Not brazen gulls mingling with the padres, |
it's a crow day on the Farm |
but crows , their pale primaries |
---hundreds work the still warm lawn |
moving the misty air like fingers, |
or rest on bare, wet branches. |
beating a blessing behind the whole |
| busy congregation. |
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Startled they fly, dark ash rising |
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from prairie fire, sounding in flight |
Of such is the One Spirit, Friend |
---whispers of countless wings, |
who looks like us without our dark |
harsh crackle of their song--- |
plumage, its fresh linen snapping |
scouting for the next unplucked field |
out sheer joy. |
falling for the easy glean and endless |
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stately jostling. |
Slow down a bit. Enjoy being |
| overtaken by the white ones |
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I watch the lingering high few, |
who lead us to the everfreshening |
when in the top flight I see six |
field where the kind old Fletcher |
honest-to-God white crows! |
cradling his dyeing brush |
color of flat pearl and the flattened |
paints us pure, |
early-winter Illinois sky |
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that tents them all. |
--Duane Taylor |